Part 1 Part 2 Part 3 Examples Adventure Films are exciting stories, with new experiences or exotic locales. Adventure films are very similar to the action film genre, in that they are designed to provide an action-filled, energetic experience for the film viewer. Rather than the predominant emphasis on violence and fighting that is found in action films, however, the viewer of adventure films can live vicariously through the travels, conquests, explorations, creation of empires, struggles and situations that confront the main characters, actual historical figures or protagonists. Adventure films were intended to appeal mainly to men, creating major male heroic stars through the years.
Bring fact-checked results to the top of your browser search. Folk music in historical context Since folk music lives in oral traditionits history can best be understood through a study of its relationship to other musics. Many folk songs collected in oral tradition have been traced to literary sources, often of considerable antiquity.
In medieval Europe, under the expansion of Christianityattempts were made to suppress folk music because of its association with heathen rites and customs; yet some aspects of European folk music became assimilated into medieval Christian liturgical musicand vice versa.
Folk music has also been consciously incorporated into European art music compositions throughout history, especially during periods of renewal, beginning with the Renaissance. During the late 15th and 16th centuries, the literate urban classes responded more favourably to folk music than their predecessors had in the medieval period.
The humanistic attitudes of the Renaissance, which brought about the elevation of nature and of antiquity, encouraged the acceptance of folk music as a genre of rustic antique song. Some music in Renaissance manuscripts is presumed to be folk song by virtue of its musical simplicity and the rural and archaic evocations of its texts.
Renaissance composers made extensive use of folk and popular music.
Typical genres include polyphonic folk song settings and folk song quodlibets, or combinations of familiar songs. Folk tunes were often used as structural and motivic raw material for motets and masses; likewise, the music of the Protestant Reformation borrowed from folk music.
The use of folk music receded in the Baroque period about —but the relationship of folk music to art music became a topic of interest in the late 18th century, when Western intellectuals began to glorify folk and peasant life.
Folk music came to be venerated as a spontaneous creation of peoples unencumbered by artistic self-consciousness and aesthetic theories; it was considered to embody the common experience of inhabitants of the locale.
These traits make folk music a fructifying source for art music, particularly when it is intended to evoke a particular nation or ethnic group.
The nationalist movements of 19th- and early 20th-century art music drew on folk tunes and their styles, as well as folk dances and themes from folklore and village life, to develop distinctive repertories. Folk music is closely related to popular music in several ways.
Societies that have developed popular music also have a folk music tradition, or remnants thereof. The partial duplication of repertories and style indicates such cross-fertilization that a given song may sometimes be called both folk and popular.
With reference to music, folk and popular are two points on a musical continuumrather than discrete bodies of music. Popular music, like folk music, has become a significant marker of ethnicity and nation, and folk music has become gradually more like popular music, produced by professionals and disseminated through mass media for consumption by an urban, nonparticipating mass audience.
Church music and folk music have been related at various times. Some church music derives from the application of religious texts to secular folk tunes. This practice may be seen, for example, in the hymns of the Protestant Reformation and in the revival hymns of 19th-century American camp meeting s, which were called folk hymns because of their origins and associations with folklike groups.
A very significant way in which folk music is preserved is through its association with folk dance. Throughout European history, dancing by rural folk and village dances in urban and court society provided a major venue for folk music; although most of this music is instrumental, vocal folk dance music, sometimes sung by the dancers themselves, is common.
In northern Europe even narrative ballads were used for dancing. There are many types of folk dance, some widespread throughout Europe, others peculiar to nations and regions, each with its typical musical style.
Certain musical forms are characteristic of the folk dance music of various parts of Europe. Most prominent is a form type with paired lines, the second a variation of the first e. From the s on, it would seem that practices of folk dancing in urban and student society have been responsible for the very preservation of folk music.
The study of folk music The search for origins and processes of development that motivated much 19th- and early 20th-century intellectual activity was reflected in folk music scholarship.
Folk music in historical context. Since folk music lives in oral tradition, its history can best be understood through a study of its relationship to other attheheels.com folk songs collected in oral tradition have been traced to literary sources, often of considerable antiquity. Folk music - Folk music in historical context: Since folk music lives in oral tradition, its history can best be understood through a study of its relationship to other musics. Many folk songs collected in oral tradition have been traced to literary sources, often of considerable antiquity. In medieval Europe, under the expansion of Christianity, . A colossal book list of historical fiction series including family saga, military, nautical, Ancient world, Pre-Historic and assorted locales.
Some scholars believed folk music to be a repository of archaisms—a legacy from which the prehistory of music, language, literature, and other cultural traits could be adduced. Although later scholars concede that some traits of folk music may be centuries old, they are less inclined to speculate on the age of archaic elements of folk music or to offer historical reconstructions, other than tracing variants of individual songs or types of songs.
Musical notations of folk songs and descriptions of folk music culture are occasionally encountered in historical records, but these show not so much the history of folk music as the history of ideas held by the literate classes about folk music.
National and social movements in the early 19th century stimulated the search for and collecting of folk songs. The variety of motivations is illustrated by Thomas Percy who focused on the great age of certain balladsLudvik Rittersberk who collected Czech folk songs as part of an effort by the Habsburg monarchy to unify the empire through recognizing the folklore of national minoritiesand Ludolf Parisius who collected German folk songs in order to preserve traditional village culture.
In the second half of the 19th century, scholarship was motivated by the desire to find materials that could be used by composers of art music and by the ambition of producing comprehensive collections of the songs of a nation.
This interest has continued into the 21st century, as attempts to circumscribe entire folk music repertoires in notation have been the intent of major projects, particularly in eastern Europe.
Library of Congress, American Folklife Center Collection Since the last decade of the 19th century, folk music has been collected and preserved by mechanical recordings. The application of print and recording technology to folk music has promoted wide interest, making possible the revival of folk music where traditional folklife and folklore are moribund.
Folk songs are frequently part of public school music curricula, and groups that focus in one way or another on folk music, often in conjunction with folk dance, have arisen; festivals of folk music and dance are an annual event in many communities throughout the world.
Library of Congress, Washington, D. Some works have endeavoured to integrate and compare the various styles of folk music in Western culture, and scholars have begun to produce theoretical works and studies of music in historical and contemporary cultural context.Origins.
Folk dance music is music accompanying traditional dance and may be contrasted with historical/classical, and popular/commercial dance music. An example of folk dance music in the United States is the old-time music played at square dances and contra dances.. Historical dance music.
Historical Context Dance Essay. In this essay I have been researching and will be discussing the different contexts of west side story - Historical Context Dance Essay introduction. This will help me to critically comment on the portrayal of Romeo and Juliet through the use of dance. Kajadifu Bushi "Kiyu nu fukurasha ya Nawuni jana tatiru Tsibudi wuru hananu Tsiyu chata gutu" Today's joyous occasion, To what can we compare it?
A colossal book list of historical fiction series including family saga, military, nautical, Ancient world, Pre-Historic and assorted locales.
The Netherlands Dance Theatre, completed in , was originally conceived in as an extension to a circus theatre in Scheveningen, a seaside resort in The Hague. Folk music in historical context. Since folk music lives in oral tradition, its history can best be understood through a study of its relationship to other attheheels.com folk songs collected in oral tradition have been traced to literary sources, often of considerable antiquity.